My Cousin Rachel may well be the perfect film to watch on a rainy afternoon. In typical British-period-drama style it is beautifully shot and has great attention to detail. Adapted from a novel by Daphne Du Maurier (Rebecca, The Birds), you can expect an equally suspenseful and bleak story.
Phillip (Sam Claflin) suspects foul play when his beloved cousin Ambrose dies abroad after marrying another of his cousins, Rachel (Rachel Weisz). Iain Glen (aka Jorah Mormont from Game of Thrones) also stars as Phillip’s concerned godfather.
The plot does wind enough to keep you captivated and intrigued, but as with Du Maurier’s other stories, it’s more about the journey than the ending itself. Without giving too much away; I was anticipating a more satisfying ending than I got, but I was most certainly entertained regardless.
My Cousin Rachel premieres in Sweden on 25 August.
Like a livelier, yet absurd version of Girl with a Pearl Earring.
There are some major similarities between Tulip Fever and Girl with a Pearl Earring – both are set in 17th century Holland, involve a portrait painter, and star a beautiful and talented young actress of the day. However compared with its slow-moving yet authentic predecessor, the tale of Tulip Fever is much too far-fetched to be taken seriously.
Orphan Sophia (Alicia Vikander) marries the considerably older Cornelis Sandvoort (Christopher Waltz) as part of a deal in order to leave the orphanage where she lives and send her siblings to live with relatives abroad. Out of obligation to her husband, Sophia does her best to be a good wife in spite of having no feelings for him. That is, until the young artist Jan Van Loos (Dane DeHaan) is commissioned to paint their portrait.
Alicia Vikander is no doubt a talent, but I feel she was miscast in this role as she is much too stiff to display a compelling amount of emotion. The same goes for Dane DeHaan. What could have been a very special and fascinating relationship between the two characters comes across as mundane and boring. Christopher Waltz is his usual unnerving self and does very well with what he has to work with. Judi Dench is absolutely spot-on in her minor role as the orphanage nun.
On the one hand it’s good that the plot doesn’t just stay in one place – it does twist and turn. However some of the storyline seemed to go completely against the nature of the characters and what they would have done in certain situations.
I can’t fault the costumes and sets, the way it was shot and the overall feel of the film which i’m sure has taken inspiration from paintings of the Dutch masters. However these things don’t do enough to make up for the weaker aspects of the film.
Jim Preston (Chris Pratt) and Aurora Lane (Jennifer Lawrence) are passengers on board a start-of-the-art spaceship ‘The Starship Avalon’, travelling from Earth to inhabit a new colony planet. 30 years into the 120 year journey, a malfunction in the ship causes Jim’s hibernation pod to open too early. Unable to reset the pod, and with only an android bartender named Arthur (Michael Sheen) for company, Jim must consider his options.
The prospect of being stuck on a spaceship hurtling through space alone with no hope of escape is a really interesting premise; reminiscent of Alien and Moon. This makes for a really strong start to the film. Passengers starts out in sci-fi thriller territory but unexpectedly ends up in romance, somewhat killing the tension that had been built up. Luckily there are just enough plot twists to keep you entertained regardless. Although if I had a choice, I would have preferred things to remain in the same vein throughout. There was potential there for a far more intense (and less cheesy) storyline.
Chris Pratt is perfect as the regular, down-to-earth guy Jim. This takes up the slack for Jennifer Lawrence as Aurora, who is a little more up tight and therefore harder to relate to. The Starship Avalon is almost a character in itself, with its hi-tech automated messages and assistant holograms. The vastness of the unpopulated ship helps to give an eerie feeling, similar to the hotel in The Shining. Yet its luxurious design scheme adds so much to the overall look and vibe of the film.
Finally, It’s nice to see a big budget film come out that isn’t part of an existing franchise! Passengers premieres in Sweden on 21 December.